To be blunt, I think that film music is in trouble. Quality is declining. Everyone is trying to be John Williams, but ends up being Hans Zimmer. There are no real melodies anymore, there are a few ’sad chords,’ or ’scared chords,’ or ‘happy chords,’ etc.
What really burns me is what is being awarded as quality music! For example, How many scores for STAR WARS won best score? 1. How many LORD OF THE RINGS scores won best score? 2. WHAT?!?? Where Williams’ music essentially redefined film music and influenced a generation of composers and performers (for better or for worse), the LOTR scores were repetitive ‘ad nauseum’ in there use of melody (or lack thereof), texture, and color. Thomas Newman, arguably the best film composer out there today, has been nominated for several oscars and has never won; despite the fact that his scores for THE SHAWSHANK REDEMPTION and AMERICAN BEAUTY were revolutionary in there sound and have been poorly imitated for years.
Jerry Goldsmith, one of the greatest of all time, was a TRUE composer. He was a versatile musician who could float from adventure/epic scores such as STAR TREK to the ‘avant garde’ sounds of PLANET OF THE APES and feel just as comfortable in the quirky pop-influenced score GREMLINS. You don’t see this versatility in film composers anymore. It seems like there are now ‘genre’ composers; those who write for one kind of film and ONLY that kind of film. I believe that this has been DETRIMENTAL to the creativity that could go into film music. There are exceptions, but this seems to be the way things are done now.
There needs to be a renaissance of film music. Rather than trying to ’say something’ and create something of great artistic merit, it seems like most film composers are trying to write the next STAR WARS. Sorry to say, it’s probably not going to happen.