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June 27, 2008

I always seem to end up at this point: where do I belong as a composer?  My wife is sick and tired of me asking her this question, pointing out the fact that I’ve been here before.  Regardless, I find myself here often.  I think part of it is because composers today tend to fall into certain groups and categories, usually because of the kind of music they write or write for.  John Williams is a ‘film’ composer; Mark Camphouse is a ‘band’ composer; John Rutter is a ‘church’ composer; etc.  Whether composers try to put themselves in such categories, or if they are willingly or unwillingly placed there by the performers and listeners of their music, is what I’m trying to figure out.  

 

Personally, I don’t want to get locked into one ‘kind’ or ‘type’ of composer.  I want to be able to fluidly move in and through different types of music.  Is this possible?  Why don’t more composers seem to do it?  Maybe they do, or try to, but they continue to be placed into certain categories by others.  Perhaps it’s youth and naivite that have me thinking that I can transcend any labels in my composing.

 

Maybe I don’t know what I’m talking about….

The Joy of the Midwest Clinic

December 24, 2007

The week before Christmas is one of the most exciting times of the year for me: The Midwest Band and Orchestra Clinic. This annual event completely re-energizes my musical goals and aspirations. This year was particularly exciting: for the first time ever there was a piece of mine that was available for perusal! SINFONIETTA, published by TRN, was on the shelf at the publishers booth. Hopefully, this will be the first of many for years and years to come.